PROJECT DETAILS

Location: 成都市锦江区福兴街58号

Chief Designer & Team: Mojo Wang | 邱天 | Alba Beroiz

CAD Designer: 熊锐

Installation Designer & Team: Mojo Wang | 邱天 | 鲍BAO | MAGI | 大鱼

Lighting: 欧未照明设计 / Oway Lighting

Photography: 行在建筑空间摄影-贺川

Area: 530㎡

Year: 2020

「意念造型」是一个20年来专注于为每一位客人定制独特形象提升的造型设计品牌。

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"Sense Salon" is a brand that has been focusing on creating a unique image for every guest for 20 years.

作为第一家老店的改造项目，设计团队从品牌名“意念”的字面含义出发，通过空间的表现方式重新定义潜意识下的精神世界。将如何抓住并处理自然景观和未来主义之间的关系作为项目设计重点，放大“意念”调控自然的功能属性，以直白和具有穿透力的方式创造一个与意识和直觉对话的场所。

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As the first renovation project of the old store, the design team redefined the subconscious spiritual world through the expression of space from the literal meaning of the brand name "Sense". How to grasp and deal with the relationship between the natural landscape and futurism is the key point of the project design, enlarge the function attribute of "Sense" to control the nature, and create a place for dialogue with consciousness and intuition in a straightforward and penetrating way.

CONCEPT

在发掘项目可视化符号的过程中，设计团队将视角锁定在“波(wave)”，波或波动是扰动或信息在空间上传播的一种物理现象，任何类型波的运动总是伴随着能量的传递。“波”既可以表现思维的发散性，也是广泛存在于自然界的运动轨迹。与时间轴单向性不同，以“当下”为原点向周围延伸，建立无止境和无限制的维度，将丰富的结构语言贯穿于场景体验中。

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In the process of exploring the visual symbols of the project, the design team focused on "wave". Wave or wave is a kind of physical phenomenon that disturbance or information propagates in space. The transmission of energy always accompanies the movement of any wave. "Wave" can express not only the divergence of thinking but also the movement track widely existing in nature. Different from the unidirectionality of the time axis, it takes the "present" as the starting point and extends to the surrounding areas, establishes endless and unlimited dimensions, and penetrates the rich structural language into the scene experience.

FLOOR PLAN

项目中大量运用圆、环、弧线等几何语汇表现“波”的控制性和仪式感，打破建筑原始结构规整平均的空间划分，以空间正中央的柱子为圆心依据不同功能属性及开放程度由中心向四周辐射展开平面布局和动线推进。

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In the project, a large number of geometric terms such as circle, ring and arc are used to express the control and ritual sense of "wave", breaking the regular and average space division of the original structure of the building. The column in the center of the space is taken as the center of the circle, and the plane layout and moving line are expanded from the center to the surrounding according to different functional properties and opening degree.

由于项目地处老成都比较嘈杂的街道，为了避免街道所带来的市井气，外立面规避了完全开敞的设计。弧面结构自然连接街道的同时增强了项目的独特性，封闭的造型让内部空间与外界完全隔绝。自然的材质肌理与几何结构碰撞，以微妙的方式营造神秘感和仪式感。

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As the project is located in a noisy street in Chengdu, to avoid the market gas brought by the street, the facade avoids the completely open design. The arc surface structure naturally connects the street and enhances the uniqueness of the project. The closed shape makes the internal space completely isolated from the outside world. Natural texture and geometric structure collide to create a subtle sense of mystery and ritual.

周期循环灯光模拟日出到日落

接待区作为进入内部主空间的前奏，故意在灯光及材料上与主空间拉开距离。为刚进入的顾客，在心理上起到一个缓冲作用。休息区的灯光以每三个小时为周期循环变化，模拟日出到日落的自然过程。

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As a prelude to entering the main space, the reception area deliberately keeps a distance from the main space in terms of lighting and materials. For the new customers, play a psychological buffer. The lighting in the rest area changes periodically every three hours to simulate the natural process from sunrise to sunset.

主要工作区域位于空间中心位置，是能量聚集发散的初始点。以此为圆心贯穿区域内的金属结构以环形布局为基础框架，等距划分镜面位置，内外双层座位递进扩散，在保证基本使用的同时重新探讨工位布局的可能性，也为空间动线提供了规范指引。

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The main working area is located in the center of space, which is the initial point of energy gathering and divergence. In this way, the metal structure in the area with the center of the circle as the basic framework, equidistant division of the mirror position, and progressive diffusion of the inside and outside double-layer seats, while ensuring the basic use, re-explore the possibility of station layout, and also provide a standard guide for the space moving line.

接待区域和主要工作区域以廊道串联，是两个频率的“波”相互影响产生干涉的位置。空间节奏在这里发生强弱中和的变化，故意压低的层高强调空间先抑后扬的对比。

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The reception area and the main working area are connected in series by corridors, where the "waves" of the two frequencies interact and interfere. The spatial rhythm changes from strength to weakness and the deliberately lowered floor height emphasizes the contrast of space suppression first and then uplift.

八个封闭的房间环绕于主区域周围，U型玻璃削弱了二者之间的分界点，也赋予独立小空间足够的私密性。

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Eight closed rooms surround the main area. The U-shaped glass weakens the dividing point between the two, and also gives the independent small space enough privacy.

洗护区、烫染区、员工休息区按区域功能划分，联以回廊走道，有序的整合在“波”的边界。

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Washing area, dyeing area and staff rest area are divided according to their regional functions and connected with corridors, which are orderly integrated at the boundary of "wave".

可移动圆镜

空间圆心处的整体装置由仿真巨石，LED屏幕，金属环形架，可移动镜面组成。不同材质的运用营造超现实的碰撞感，保留整体意识的同时丰富细节感受，映衬共生关系。

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The whole installation at the center of the space is composed of simulation boulder, LED screen, metal ring frame and movable mirror. The use of different materials creates a surreal sense of collision, retains the overall consciousness while enriching the feeling of details, reflecting the symbiotic relationship.

LED屏幕观念影像

仿真巨石包裹从中生长的LED屏幕，利用不同媒介作为一个单元融合进空间中，同步现场氛围与光影的微妙变化，流动的数码景观为意想世界提供可视画面。金属环形结构围绕中心多媒体装置呈波形辐射展开，环形上的圆镜在移动过程中通过镜面反射使顾客可以从多角度观察自己。圆镜上的凸透镜可以放大LED屏幕上的影像，为置身于其中的顾客提供更为微观的视觉感受。

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The LED screen, which is surrounded by the stone, integrates different media as a unit into the zone, synchronizes the subtle changes of scene atmosphere and light, and the flowing digital landscape provides a visual picture for the imaginary world. The metal ring-shape structure spreads around the central multimedia installation in a waveform radiation manner. The circular mirror can reflect the image through the mirror surface in the process of moving so that customers can observe themselves from multiple angles.The convex lens on the round mirror can magnify the image on the LED screen, providing a more micro visual experience for the customers who are in there.

与以往采用软性材料来软化空间的坚硬感不同，石头作为自然界最原始的元素以最直接快捷，不具侵略性的方式存在于空间的各个角落。连接空间里的所有介质，模糊室内与室外，建筑与自然，现实与幻想的边界。

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Different from the previous use of soft materials to soften the hard feeling of space, stone, as the most primitive element in nature, exists in every corner of space in the most direct and non-aggressive way. Connecting all the media in the space, blurring the boundaries between indoor and outdoor, architecture and nature, reality and fantasy.